On a variety of drawings being lately exhibited for a new town hall in one of the German capitals, a certain design of Herren Schmidt and Stauch attracted considerable attention among the art-loving public of the Fatherland, but as it happened to become a subject of jobbery, and was not to be accepted in consequence, would have been hardly accessible to larger circles of connoisseurs, without the invention of the new art.
1862 November 14, “New Photolithographic Process”, in G. Wharton Simpson, editor, The Photographic News: A Weekly Record of the Progress of Photography, volume VI, number 219, London: […] Thomas Piper, […], page 546, column 1