Like any big modern city, Scott's Los Angeles of 2019 is saturated with technologies; in fact, it is most striking for its layering of technologies, styles, lifestyles and ethnicities, which range from oriental peasant altars and cookfires through forties hats and building facades to off-world colonies and androids.
1991, Judith B. Kerman, “Technology and Politics in the Blade Runner Dystopia”, in Judith B. Kerman, editor, Retrofitting Blade Runner: Issues in Ridley Scott's Blade Runner and Philip K. Dick's Do Androids Dream of Electric Sheep?, 2nd edition, University of Wisconsin Press, page 16